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Sounding Off: Rhythm, Music, and Identity in West African and Caribbean Francophone Novels: Cover Page

Sounding Off: Rhythm, Music, and Identity in West African and Caribbean Francophone Novels
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table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Dedication Page
  6. Acknowledgments
  7. Introduction
  8. 1 - Rhythm and Transcultural Poetics
    1. Rhythm and Transculture
    2. Method
  9. 2 - Rhythm and Reappropriation inGod's Bits of Wood and The Suns of Independence
    1. Language and the Language of Music
    2. Rhythm and Reappropriation in the Novel
    3. Instrumentaliture at Work
    4. Rhythm and Transformation
    5. Ordinary and Extraordinary Rhythms
  10. 3 - Rhythm, Music, and Identity in L'appel des arènes and Ti Jean L'horizon
    1. Rhythm, Music, Subjectivity, and the Novel
    2. Rhythm and Identity in L'appel des arènes
    3. Rhythm and Identity in Ti Jean L'horizon
    4. Rethinking Rootedness
  11. 4 - Music and Mourning in Crossing the Mangrove and Solibo Magnificent
    1. Memory, Mourning, and Mosaic Identities
    2. Rhythm, Music, and Identity as Process
    3. The Sounds of Death and Mourning
    4. Configuring Rhythmic and Musically Mediated Identities
  12. Concluding Remarks
  13. Works Cited
  14. Index
  15. About the Author

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