Skip to main content

Sounding Off: Rhythm, Music, and Identity in West African and Caribbean Francophone Novels: Contents

Sounding Off: Rhythm, Music, and Identity in West African and Caribbean Francophone Novels
Contents
    • Notifications
    • Privacy
  • Project HomeSounding Off
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Dedication Page
  6. Acknowledgments
  7. Introduction
  8. 1 - Rhythm and Transcultural Poetics
    1. Rhythm and Transculture
    2. Method
  9. 2 - Rhythm and Reappropriation inGod's Bits of Wood and The Suns of Independence
    1. Language and the Language of Music
    2. Rhythm and Reappropriation in the Novel
    3. Instrumentaliture at Work
    4. Rhythm and Transformation
    5. Ordinary and Extraordinary Rhythms
  10. 3 - Rhythm, Music, and Identity in L'appel des arènes and Ti Jean L'horizon
    1. Rhythm, Music, Subjectivity, and the Novel
    2. Rhythm and Identity in L'appel des arènes
    3. Rhythm and Identity in Ti Jean L'horizon
    4. Rethinking Rootedness
  11. 4 - Music and Mourning in Crossing the Mangrove and Solibo Magnificent
    1. Memory, Mourning, and Mosaic Identities
    2. Rhythm, Music, and Identity as Process
    3. The Sounds of Death and Mourning
    4. Configuring Rhythmic and Musically Mediated Identities
  12. Concluding Remarks
  13. Works Cited
  14. Index
  15. About the Author

CONTENTS

Acknowledgments

Introduction

1    Rhythm and Transcultural Poetics

Rhythm and Transculture

Method

2    Rhythm and Reappropriation in God's Bits of Wood and The Suns of Independence

Language and the Language of Music

Rhythm and Reappropriation in the Novel

Instrumentaliture at Work

Rhythm and Transformation

Ordinary and Extraordinary Rhythms

3    Rhythm, Music, and Identity in L'appel des arènes and Ti Jean L'horizon

Rhythm, Music, Subjectivity, and the Novel

Rhythm and Identity in L'appel des arènes

Rhythm and Identity in Ti Jean L'horizon

Rethinking Rootedness

4    Music and Mourning in Crossing the Mangrove and Solibo Magnificent

Memory, Mourning, and Mosaic Identities

Rhythm, Music, and Identity as Process

The Sounds of Death and Mourning

Configuring Rhythmic and Musically Mediated Identities

Concluding Remarks

Works Cited

Index

Annotate

Next Chapter
Dedication Page
PreviousNext
Copyright © 2009 by Temple University
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org