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Undoing Suicidism: Cover Description for Accessibility

Undoing Suicidism
Cover Description for Accessibility
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table of contents
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Cover Description for Accessibility
  7. Foreword by Robert McRuer
  8. Acknowledgments
  9. Introduction: Suicidal Manifesto
    1. Journey into a Suicidal Mind: From the Personal to the Theoretical
    2. Suicidism, Compulsory Aliveness, and the Injunction to Live and to Futurity
    3. (Un)doing Suicide: (Re)signifying Terms
    4. Autothanatotheory: A Methodological and Conceptual Toolbox
    5. Dissecting (Assisted) Suicide: The Structure of the Book
  10. Part I: Rethinking Suicide
    1. Chapter 1. Suicidism: A Theoretical Framework for Conceptualizing Suicide
      1. 1.1. The Main Models of Suicidality
      2. 1.2. The Ghosts in Suicidality Models
      3. 1.3. Alternative Conceptualizations of Suicidality
      4. 1.4. Suicidism as Epistemic Violence
      5. 1.5. Final Words
    2. Chapter 2. Queering and Transing Suicide: Rethinking LGBTQ Suicidality
      1. 2.1. Discourses on LGBTQ Suicidality as Somatechnologies of Life
      2. 2.2. Alternative Approaches to Trans Suicidality: Trans Lifeline and DISCHARGED
      3. 2.3. A Failure to Really Fail: Queer Theory, Suicidality, and (Non)Futurity
      4. 2.4. Final Words
    3. Chapter 3. Cripping and Maddening Suicide: Rethinking Disabled/Mad Suicidality
      1. 3.1. Discourses on Disabled/Mad Suicidality as Somatechnologies of Life
      2. 3.2. Alternative Approaches to Disabled/Mad Suicidality
      3. 3.3. Suicidality as Disability: Rethinking Suicidality through Cripistemology
      4. 3.4. Final Words
  11. Part II: Rethinking Assisted Suicide
    1. Chapter 4. The Right-to-Die Movement and Its Ableist/Sanist/Ageist/Suicidist Ontology of Assisted Suicide
      1. 4.1. Right-to-Die Discourses as Somatechnologies of Life
      2. 4.2. Ableist, Sanist, and Ageist Assumptions in Right-to-Die Discourses
      3. 4.3. Suicidist Presumptions in Right-to-Die Discourses
      4. 4.4. Cripping Right-to-Die Discourses: Rethinking Access to Assisted Suicide
      5. 4.5. Final Words
    2. Chapter 5. Queering, Transing, Cripping, and Maddening Assisted Suicide
      1. 5.1. Queercrip Model of (Assisted) Suicide
      2. 5.2. Suicide-Affirmative Approach
      3. 5.3. Potential Objections to a Suicide-Affirmative Approach
      4. 5.4. Thanatopolitics of Assisted Suicide as an Ethics of Living
      5. 5.5. Final Words
  12. Conclusion: Can the Suicidal Subject Speak? Suicidal People’s Voices as Microresistance
  13. Notes
  14. Bibliography
  15. Index
  16. About the Author

COVER DESCRIPTION FOR ACCESSIBILITY

THE COVER IMAGE features a painting titled BLOOM! by the Italian finger painter Paolo Troilo. The background of the painting is beige, with darker shades in the bottom corners and the top right corner. In the middle, a hyperrealistic black-and-white painting shows a muscular naked man bending backward; he appears to be floating in space. His legs and feet are bent backward and almost touch his buttocks. His head is extended backward, and his mouth is open. A long drip of black paint descends from the back of his head, as if he is bleeding. His arms are wide open and extended on either side of his body, leaving his chest open. An explosion of flowers sprouts from his chest. The flowers are blurry, but the colors are vibrant in comparison to the black and white body and beige background. Blue, yellow, magenta, red, and pink flowers and splashes of colors compose this oversized explosion. The blooming flowers exploding from the man’s chest occupy half of the page, from the middle to the top left corner. Against the beige background, approximately one-third from the bottom of the page, the main title of the book, Undoing Suicidism, appears in bold capital red letters with the subtitle in black italic letters, A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide. The name of the author, Alexandre Baril, appears in black capital letters in the bottom right corner, with the mention “Foreword by Robert McRuer” underneath in black font.

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